Quo Vadis Movie Wiki

But Ursus is able to topple the bull and break its neck. Massively impressed by Ursus's victory, the crowd exhorts Nero to spare the couple. He refuses to do so, even after four of his courtiers, (), architect (), poet (Alfredo Varelli), and musician Terpnos (Geoffrey Dunn) add their endorsement of the mob's demands by putting their thumbs up as well.

  1. Quo Vadis Wiki

Quo Vadis Peter Ustinov (seated) and Leo Genn (standing left) in Quo Vadis (1951), directed by Mervyn LeRoy. © 1951 Metro-Goldwyn-Mayer Inc.

Overview of Quo Vadis, 1951, directed by Mervyn LeRoy, with Robert Taylor, Deborah Kerr, Leo Genn, at Turner Classic Movies. Quo Vadis: A Narrative of the Time of Nero, commonly known as Quo Vadis, is a historical novel written by Henryk Sienkiewicz in Polish. In 1951, Quo Vadis was.

Midnight Marquee & BearManor Media. • (in Polish). Retrieved 2018-11-08.

Contents • • • • • Plot [ ] The central plot in the movie revolves around the love of a Roman patrician, Marcus Vinicius, towards a Christian girl (coming from the territory of modern-day Poland) set against the backdrop of the persecutions against Christians during the reign of. In the beginning, Lygia, a Christian and hostage of Rome, becomes the object of Vinicius' love but she refuses his advances. Vinicius' friend Petronius tries to manipulate Nero, who has authority over all Roman hostages, to give Lygia to Vinicius, but Lygia is taken into hiding by Christians.

The story's central conflict takes place in the person of the centurion's friend, who also happens to be a cultural lackey in the court of Nero. Great book for a retreat! Spiritually invigorating, makes one excited about the Catholic faith. It is fiction with references to standard Catholic tradition, and is set in the time of the Christian persecutions in Rome during the reign of Nero.

• Produced for $7 million, it was the most expensive film ever made at the time. It would become M-G-M's largest grosser since (1939) • The film holds the record for the most costumes used in one movie: 32,000. • relates in his autobiography Dear Me that director summarized the manner in which he envisioned Ustinov should play the Emperor, very salaciously, as 'Nero. The way I see him. He's a guy plays with himself nights.'

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Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan’s concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him.

Tales of Christian martyrdom are simply considered to be in dreadful taste in today's world even if the historical record confirms that they did in fact take place. Many cultured individuals in today's Western society feel that our society should be examining its conscience about its sins: imperialism, slavery, anti-Semitism, etc.

Angered, Marcus makes Lygia his slave, but is still unable to make her his mistress. How he manages forms the core of the story. The acting is good, especially that of Kerr, Taylor, and Genn (as the gentle advisor to the emperor), but it's the wild Ustinov who scoops up every scene he's in, giving one of the most outlandish performances ever filmed. Ustinov tested for the role of the lyre-playing little arsonist in 1949, but the film was slow to develop. A year later, MGM wired Ustinov that they were still interested in him for the part but they were worried that he might be too young for the role. Ustinov wired back, 'If you wait much longer I shall be too old.

In 1951, Quo Vadis was adapted as a film. A successful stage version of the novel by was produced in 1900. Film versions of the novel were produced in 1901,. A directed by was nominated for eight Academy Awards. The novel was also the basis for a starring as Nero and a directed.

The Italian actor also had an uncredited extra role as a Praetorian Guardsman. • The film holds a record for the most used in one movie; 32,000. • The film was shot on location in and in the. • relates in his autobiography, Dear Me, that director summarized the manner in which he envisioned Ustinov should play the Emperor, very salaciously, as 'Nero.He plays with himself, nights.'

Petronius, a generous and noble Roman, a man of the world much in favor at the court of Nero, is intrigued by a strange tale related by his nephew Marcus Vinitius of his encounter with a mysterious young woman called Ligia with whom Vinitius falls madly in love. Ligia, a captured King's daughter and a one-time hostage of Rome, is now a foster child of a noble Roman household. She is also a Christian. The setting of the narrative was prepared with utmost care. Henryk Sienkiewicz visited the Roman settings many times and was thoroughly educated in the historical background. As an attempt to create the spirit of antiquity, the novel met with unanimous acclaim, which earned the Nobel Prize in literature for the author in 1905. As a vision of ancient Rome and early Christianity it has not yet been surpassed, almost a century later.

Filmed in 2001, the latest version of Quo Vadis is finally being released in a region 1 version with English subtitles. I waited SO long for the opportunity to see this film and it does not disappoint. While I wouldn't go so far as to say it is a 'must see,' I found it to be very well made on most levels and I recommend it without any reservations. The costumes, sets, and special effects are very realistic and believable and the film makes a sincere attempt to stay true to the historical events and people on whom the story is based.

And alludes to a New Testament verse (John 13:36). The verse, in the King James Version, reads as follows, 'Simon Peter said unto him, Lord, whither goest thou? Jesus answered him, Whither I go, thou canst not follow me now; but thou shalt follow me afterwards.' In the story, Peter went back to Rome, sacrificed himself that resulted to the triumph of Christianity. The story mainly revolves around a number of characters: Marcus Vinicius a patrician soldier who is a nephew of Nero's right hand and former governor of Bithynia, C.

This production is an example of Hollywood marshalling some impressive resources, while avoiding more than a modicum of the cliches that can sabotage such a project. It may not honor its source as some might wish, but it's still a quite grand and opulently eye-filling way to enjoy close to three hours.

• recalled how he was cast as Nero in 1949: 'An exciting proposition came my way when I was twenty-eight years old. Were going to remake Quo Vadis, and I was a candidate for the role of Nero.

• Wrigley, Richard Cinematic Rome Troubador Publishing Ltd, p.52 •. Retrieved 2008-12-21. External links Wikimedia Commons has media related to. • on • at • at the.

The Blu-ray edition is an improvement -- offering an excellent video transfer and a faithful mono presentation of the film's original audio -- but the lack of a lossless 5.1 remix and the presence of an anemic supplemental package will prevent this release from attracting curious masses. I suggest giving it a rent before considering a purchase.

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[ ] Similarities with Barrett play [ ] Playwright-actor-manager produced his successful play in the same year as publication of Quo vadis? The play was first performed 28 March 1895. Several elements in the play strongly resemble those in Quo Vadis. In both, a Roman soldier named Marcus falls in love with a Christian woman and wishes to 'possess' her. (In the novel, her name is Lycia, in the play she is Mercia.), and are major characters in both the play and novel, and in both, Poppea lusts after Marcus., however, does not appear in The Sign of the Cross, and the ending of the play diverges from that of Quo Vadis. Adaptations [ ].

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A fellow IMDb-er from Poland, defending Henryk Sienkiewicz's monumental, Nobel Prize-winning novel (which I HAVE read, by the way) calls this M-G-M Technicolor spectacle 'CRAP'! The novel is incredibly dense and detailed; possibly a lot truer to what was known in the early part of the twentieth century of the actual events of the time of its plot; with lots of references to the cruelty and luxury of Nero's Rome; frequent mentions of the pervasive nudity under all kinds of circumstances among the Romans of the time; and, given its length, a perhaps more respectful view of the emergence of Christianity at a time when its converts risked their very lives to admit their beliefs. There is no way that even a multi-part TV mini-(I mean, maxi-)series could come close to approximating the novel's overwhelming complexity. But, as a piece of filmed entertainment, this cinema extravaganza is not at all worthy of being consigned to the proverbial garbage heap. The cast, yes, including Robert Taylor and Deborah Kerr, but, especially the supporting actors (Peter Ustinov, of course; plus Leo Genn, in particular, as well as Patricia Laffan, Marina Berti, Finlay Currie, Felix Aylmer, Rosalie Crutchley, et al.) all take full advantage of a script that had many witty as well as dramatic moments and, for its day, a fairly reverent (though not historically accurate) rendering of Christianity's emergence in a hostile Roman world. In addition its production values have never been surpassed; in fact, they've never been equalled.

Watch Full Movie (1913) Streaming link:: () ( ) watch quo vadis? Full movie 1913 ✪ quo vadis? Full movie quo vadis? Full movie quo vadis? Full movie quo vadis?

Which so angers the lovesick Marcus, that nothing else matters, but to recover his prize, greatly effecting his health. With the assistance of Christians, including St. Peter and Paul, she is well hidden. Fires break out soon after, in the vast city, countless building are incinerated, the great capital of the world, is tumbling down. People are perishing in its flames, shooting high, into the night sky, bright now as daylight, crowds are streaming out of the infernal, the thick smoke, chokes, the heat and flames, killing thousands, winds spreading the insatiable fires. Everyone but Marcus, the soldier, flee, in a desperate effort to rescue his beloved, enters the doomed town, staggering, in the hopeless search, hardly able to breath, falling but getting up, he must continue the quest, or die trying. The frightened Nero, afraid of the people's wrath, blames the obscure Christians, for the disaster, many will bravely die in the bloody arena.

Average at best and tiresome at worst, Quo Vadis offers more risk than reward and should be approached with caution. Quo Vadis debuts on Blu-ray with a relatively impressive 1080p/VC-1 transfer (framed at 1.33:1) that rights the technical wrongs of Warner's recent DVD release. The film's newly-minted high definition palette is far more natural and attractive than its standard definition counterpart, featuring bold primaries, more realistic skintones, and deeper blacks.

I've never been so tantalized by antiquity than after reading this historical fiction. All the while reading a bit like a best seller and not an epic novel from the 1800's. Quo Vadis Henry Sienkiewicz`s 'Quo Vadis' is a truly great book. Unfortunately, I know best how to explain its greatness to those who like me were young in thehe 60s and 70s. If you are not part of this group, this review may not be terribly helpful. To those of you of my generation, I will say that Quo Vadis is a wonderful novel about the Roman Empire in the First Century of the modern era when Rome was entering its decadent era. It is better than anything written by Robert Graves who still must Quo Vadis Henry Sienkiewicz`s 'Quo Vadis' is a truly great book.

As a reader, I am deeply offended by the fact that very little actually happens. Sienkiewicz tells us about plenty of things, but he shows us very little. For instance, in the last third of the book, Petronius, who has been watching his nephew's slow conversion to Christianity with ironic detachment, writes him a letter talking about how much these Christian teachings are affecting him.

In prison, (), who has also been arrested after returning to Rome upon a sign of the Lord, marries the couple; eventually, he is as an ironic twist at the whim of Nero's guard. (), Nero's wife, who lusts after Marcus, devises a diabolical revenge for his rejection of her. Lygia is tied to a wooden stake in the arena. A wild bull is also placed there, and Lygia's bodyguard giant, Ursus () must try to kill it with his bare hands, otherwise Lygia will be gored to death. Marcus is tied to the spectator's box and forced to watch, much to the horror of his officers, who also attend the spectacle. When all seems hopeless, Ursus is able to break the bull's neck.

Contents • • • • • Plot [ ] The central plot in the movie revolves around the love of a Roman patrician, Marcus Vinicius, towards a Christian girl (coming from the territory of modern-day Poland) set against the backdrop of the persecutions against Christians during the reign of. In the beginning, Lygia, a Christian and hostage of Rome, becomes the object of Vinicius' love but she refuses his advances. Vinicius' friend Petronius tries to manipulate Nero, who has authority over all Roman hostages, to give Lygia to Vinicius, but Lygia is taken into hiding by Christians. Marcus Vinicius decides to find her and force her to be his wife. He goes to a Christian meeting along with Croton, a gladiator, to find her. After following her from the meeting, Marcus tries to take her, but Ursus, a strong man and friend of Lygia, kills Croton. Marcus himself is wounded in the fight, but is taken care of by Lygia and the Christians.

It was also one of the hottest summers on record.' The heat affected not only the cast and crew but also the lions. Mervyn LeRoy recalled that because of the heat the lions were reluctant to enter the arena. • was selected by the producer and director for the major role of Poppaea after they watched a screen-test she made for a smaller part in the film. • At one point in the film Nero shows his court a scale-model illustrating his plans for the rebuilding of Rome as a new city to be called Neropolis.

1951: Nominations: Best Picture, Supp. Actor (Leo Genn, Peter Ustinov), Color Cinematography, Color Costume Design, Color Art Direction, Editing, Scoring of a Dramatic Picture.

Sadly, LeRoy's spectacle comes at the expense of a more involving story. Quo Vadis opens amidst the notorious reign of Nero (Peter Ustinov), a Roman emperor of the Julio-Claudian dynasty whose particularly extravagant and depraved rule brought about the persecution and execution of countless early Christians. But the tale itself focuses on one of Nero's veteran commanders, Marcus Vinicius (Robert Taylor), who has the debatable misfortune of falling in love with a religious upstart named Lygia (Deborah Kerr). As Nero succumbs to an increasing lust for power and the envious wiles of his wife (Patricia Laffan), he burns Rome, blames the newly emerging zealots in his empire, and begins sentencing every Christian his forces capture to death in the arena. Arrested and imprisoned for their faith and love, Marcus and Lygia have to face Nero's rage as readily as they embraced their relationship's humble beginnings.

Quo Vadis Wiki

Vinicius is now driven to distraction with the thwarting of his obsessive desire; Petronius, taking pity on him, secures him the services of the cadging Greek philosopher Chilo Chilonis; from the sign of a fish which Lygia had drawn Vinicius in the house of Plautius Chilo discovers that Lygia is Christian; and since a vigilant watch on the gates has revealed that she is still in the city, Chilo undertakes to disguise as a Christian to worm out the secret of her hiding-place. Hope revives when Chilo recognizes Ursus in Urban, a common Christian laborer. By served as an inspiration for Quo Vadis Sienkiewicz alludes to several historical events and merges them in his novel, but some of them are of doubtful authenticity. • In AD 57, Pomponia was indeed charged with practising a 'foreign superstition', usually understood to mean conversion to Christianity. [ ] Nevertheless, the religion itself is not clearly identified. According to ancient Roman tradition she was tried in a family court by her own husband Aulus (the ), to be subsequently acquitted. However, inscriptions in the catacombs of Saint Callistus in Rome suggest that members of Graecina's family were indeed Christians.

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